
September 10, 2016 — wellwritteneb
Kazunori Hamana, Yuji Ueda, and Otani Workshop at Blum & Poe
This exhibition, featuring ceramics by three contemporary Japanese artists, embodies in many ways the aesthetics of its curator, Takashi Murakami. Murakami’s notion of “super-flatness” is sketched out in many of the features worked in two-dimensional, simplistic, even child-like or primitive fashion on the faces of the more human-like figures. Read more on Arts Quarterly.